{"id":75,"date":"2021-02-27T08:39:50","date_gmt":"2021-02-27T08:39:50","guid":{"rendered":"https:\/\/pondlife.org\/?post_type=product&#038;p=75"},"modified":"2021-05-17T23:39:28","modified_gmt":"2021-05-17T23:39:28","slug":"corn-fields-john-nash","status":"publish","type":"product","link":"https:\/\/pondlife.org\/index.php\/product\/corn-fields-john-nash\/","title":{"rendered":"Corn Fields &#8211; John Nash"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>John Nash served in the army in the World War One. In 1918 he left the army and became an official\u00a0<a class=\"glossarylinktopopup\" title=\"Glossary definition for 'War Artists'\" href=\"http:\/\/www.tate.org.uk\/learn\/online-resources\/glossary\/w\/war-artists\" data-gtm-destination=\"article-page\" data-gtm-name=\"body_text_link\">war artist<\/a>. The Cornfield was the first\u00a0<a class=\"glossarylinktopopup\" title=\"Glossary definition for 'Painting'\" href=\"http:\/\/www.tate.org.uk\/learn\/online-resources\/glossary\/p\/painting\" data-gtm-destination=\"article-page\" data-gtm-name=\"body_text_link\">painting<\/a>\u00a0he made after that, which did not depict the subject of war. In its ordered view of the\u00a0<a class=\"glossarylinktopopup\" title=\"Glossary definition for 'Landscape'\" href=\"http:\/\/www.tate.org.uk\/learn\/online-resources\/glossary\/l\/landscape\" data-gtm-destination=\"article-page\" data-gtm-name=\"body_text_link\">landscape<\/a>\u00a0and geometric treatment of the corn stooks, it prefigures his brother Paul&#8217;s Equivalents for the Megaliths, also shown in this room. John wrote that he and Paul used to paint for their own pleasure only after six o&#8221;clock, when their work as war artists was over for the day. Hence the long shadows cast by the evening sun across the field in the centre of the painting.<\/p>\n","protected":false},"featured_media":69,"comment_status":"open","ping_status":"closed","template":"","meta":{"spay_email":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Corn Fields - John Nash - Pondlife<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pondlife.org\/index.php\/product\/corn-fields-john-nash\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Corn Fields - John Nash - Pondlife\" \/>\n<meta property=\"og:description\" content=\"John Nash served in the army in the World War One. In 1918 he left the army and became an official\u00a0war artist. The Cornfield was the first\u00a0painting\u00a0he made after that, which did not depict the subject of war. In its ordered view of the\u00a0landscape\u00a0and geometric treatment of the corn stooks, it prefigures his brother Paul&#039;s Equivalents for the Megaliths, also shown in this room. John wrote that he and Paul used to paint for their own pleasure only after six o&#039;&#039;clock, when their work as war artists was over for the day. 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